Wk 1 Reading: We Can Copy, Right?
Soon we were having people come over challenging them to find the most rare songs they could think of, like Bob Marley's Guava Jelly or Slick Rick's original Ladi Dodi. With all these fiends coming over to complete their searches we amassed a large library of songs, and soon became the go to apartment for parties and music lounging sessions. Many people would ask where the music was coming from and I would reply "From my computer." No one believed me so I would always give them a tour and show them my setup and my playlist on the original mp3 computer program WinAmp. They were amazed, but many of my friends believed this was a fad and would soon go away like 8-tracks. I was so sure this was not a fad that I used the topic of mp3s and the future of music as my final persuasive argument in my public speaking class.It was a great time of my life broadening my love for music and making my first few year of college completely worth while.
Why did I start this blog off with this story? Because even though I believe an artist has the right to protect his work, I also believe that the trading of mp3's is not the nail in the coffin that record industry makes it out to be. I remember when I was about 4 or 5 years old hearing how the VCR was going to kill movies and ruin the art of cinema being seen on the big screen. The industry soon found out that the proliferation of home media not only helped the industry, but added on a whole new consumer base that they had never thought possible. I believe the same can be said for the mp3's. The proliferation of the mp3 only adds to the appreciation of music thus raising music to a new and higher standard than ever before. Before mp3's I lead a sheltered life, only buying the occasional CD for bands that the radio told me were popular. After I started downloading mp3's my musical education grew, exposing me to the rich sounds of reggae, the unique rhymes of rappers like Biggie and Tupac, and the eclectic sounds like radiohead. Mp3's forced me to broaden my horizons, listen to new bands on a whim, and go to more live shows and concerts than ever before. The mp3 was a game changer for many young people back in the early 2000's and I believe it still is for many youths today. The fact is, I spent more money on music after the mp3 age than I did before.
Sure there are those that abuse the system and take take take, but don't forget about those how give back. Today we see a plethora of musicians trying to make a mark in today's industry who may not have ever had a chance before. Take Justin Bieber (no really take him, haha), he got his start by posting videos of his talents on YouTube, a video site with its roots stemming from the mp3 sub-culture of the early 2000's. With this new medium many more artist can fill the world with their talents, or lack there of, allowing the American culture to determine who is worthy of praise and who is not. This I believe is what the recording industry is afraid of, we the people now have the power to determine who is popular, not the gigantic spin machine that we call the Recording Industry Association of America. The RIAA now in today's world seems insignificant, the power is now placed into the peoples internet. Artists now see that they can produce and market their art on their own with only a simple $1000 computer and an internet connection. Trent Reznor of Nine Inch Nails fame found this out when he released his own album off the internet all on his own and asked for donations instead of a set price. It are these situations that the big corporate giants hate because there is no need for a middle man any more.
The creation of the Creative Commons is the next evolutionary step of the P2P transfer protocol, that was so famously smashed with the demise of napster, bearshare, and limewire. This new P2P system places artist right directly on the property the individuals wish to use or listen to from their own computer. By placing the option of fair use back into the hands of the creator we limit the corporate stranglehold our ideas and though have been suffocating from for so long. Creative commons is a breath of fresh air for the little man who normal stands beneath the shadows of the corporate giants.
Joe,
Great post. I am a true music lover I find pleasure in every genre. I agree the Internet enhanced my musical taste by allowing me to hear more artist before buying the album. I also agree that some people take advantage and never give back. As an artist my self it is hard to download music and not compensate the creator for their intellectual property. Musical ideas have been recycled for hundreds of years now but the new laws pose a huge hurtle for this cycle of recycling musical ideas and motifs. Before the sampling era musicians would draw influence from other artist and recreate that sound to fit the idea floating in their head. Now sampling takes the exact idea and reuses it to create a new sound. I think there should be a standard rate to sample or reuse some ones material and if the new creations sales a certain amount then a lager portion should be given to the original artist. I know that wont stop the illegal use of creative ideas but it might start building a bridge.
No comments:
Post a Comment